Consider Omar Itani, a Google alumni and founder of Lovers of the Sea, an eco-product e-commerce brand. For nearly two years, the entrepreneur lived and breathed hustle culture, the idea that constant work, at the expense of all else, breeds success.
Early mornings and late nights became the norm. He searched for productivity and growth hacks, attempting to optimize every mundane detail of his life. He persisted alone “in a suffocating mountain of exhaustion and debt.” Faced with a life of monotonous grinding, he soon grew angry, tired, and resentful. Eventually, he burned out.
Many will brush off Itani’s experience as part of the startup experience. At least, they would have. The COVID-19 pandemic forced us to pause. It provided time and space for reflection, re-evaluation, and reimagining of what work could be.
Cleaved from the world of “rise and grind,” many asked the question: What if we prioritized something besides productivity?
Once, that question may have elicited a shrug as an answer. But recent cultural and economic shifts have provided an alternative: the passion economy. It’s a new way of working—and it could quite possibly be the antidote to hustle culture’s cycle of boom and bust.
Embracing a new way to work
“Whereas previously, the biggest online labor marketplaces flattened the individuality of workers, new platforms allow anyone to monetize unique skills,” wrote Li Jin, who coined the term. Within the passion economy, people turn their passions into livelihoods. They play video games, write stories, and share educational resources.
Don’t mistake the passion economy for a collection of beer money side hustles. Under the moniker Lilsimsie, Kayla Sims entertains hundreds of thousands of people by playing video games—most frequently The Sims 4. On YouTube alone, her videos have amassed more than 300 million views.
Musician Hrishikesh Hirway dedicates his time to recording podcasts around his interests—music, cooking, relationships, and The West Wing. In his series Song Exploder, where he interviews musicians about how particular tracks came to be, he has profiled an eclectic range of artists, including Billie Eilish, Bon Iver, and Metallica. Its success has even spawned a spin-off Netflix show.
Through her weekly long-form newsletter Maybe Baby, culture writer Haley Nahman tackles “hard-to-describe” feelings, attracting hundreds of thousands of readers.
Sims, Hirway, and Nahman are just three early passion economy proponents. Their stories are part of a larger trend that Jin calls the “creator stack” or the “enterprization of the consumer.”