Christopher Abbott, Sarah Gadon, and Aubrey Plaza at the IndieWire Sundance Studio (photo by Anna Pocaro for IndieWire)
Christopher Abbott, Sarah Gadon, and Aubrey Plaza at the IndieWire Sundance Studio (photo by Anna Pocaro for IndieWire)

Sundance Film Festival 2020, Dropbox for filmmakers

How the crew of Black Bear dealt with an accidental digital detox

By

Published on January 27, 2020

How do you shoot a movie in the deep woods without WiFi or cell phone service? Lawrence Michael Levine and Tracy Dishman explain how they managed to capture Black Bear and bring it to Sundance.

“I wanted to do something more spontaneous and experimental and free.” —writer/director Lawrence Michael Levine

"Not having WiFi also signifies that we're really outside of civilization, completely off the grid. All of our skill sets had to get adapted to what we did have available to us.”—Tracy Dishman, production designer.

Aubrey Plaza and Christopher Abbott in Black Bear (photo by Rob Leitzell)
Aubrey Plaza and Christopher Abbott in Black Bear (photo by Rob Leitzell)

"We start accumulating so much content that, as crew members join the team, I'm able to get them onboard with just one link."—Tracy Dishman

Sarah Gadon, Christopher Abbott, Lawrence Michael Levine, and Aubrey Plaza at the IndieWire Sundance Studio (photo by Anna Pocaro for IndieWire)
Sarah Gadon, Christopher Abbott, Lawrence Michael Levine, and Aubrey Plaza at the IndieWire Sundance Studio (photo by Anna Pocaro for IndieWire)